 | | The first thing you notice with the G1N / G1XN is its totally new drive sounds that we developed using our state-of-the-art ZFX modeling technology. Featuring 15 amp andstomp-box models that faithfully replicate every detail of the classics from gain settings to harmonic character, the G1N / G1XN delivers natural expression from nuanced playing to total bone-sizzling shreds. And our new, original amp models designed especially by Zoom for the G1N / G1XN will amaze. |  |
|  |  | | It's never been easier to edit effects. Simply select the effect module with the selector knob then edit the value with the value knob. That's all there is to it. You can easily design your own tones to suit to your music. Dedicated buttons for saving patches, a bank switcher and integrated rhythm patterns make fine-tuning your sounds a breeze. A chromatic tuner is available simply by stepping on the two pedal buttons simultaneously. And with bright LED indicators, you'll get easy operation even on a dark stage. |  |
| |  | | The G1N / G1XN has 9 types of presets that simulate the sounds of 'Rock Legends' like Jimi Hendrix, Jimmy Page, Eric Clapton and many more. Plus, there are 21 types of the artist patches designed by amazing guitar heroes like Michael Amott, Kiko Loureiro, Richie Kotzen, Rob Caggiano, Mike Stone and Matt Bachand, so you can use these professionally designed guitar sounds in your music. Also, there are 10 types of presets for any style of guitar playing such as power chords, arpeggio, lead, cutting and much more. You can even save 40 patches you create in the G1N / G1XN's user memory. |  |
| |  | | Replicating the high frequency overtones created by the distortion effect of tube amplifiers is made possible by Zoom's original 32-bit, ZFX-3 processor. This allows the frequency response for our G1N / G1XN to extend to an amazing 20 Hz thru 40 kHz with 96 kHz sampling rates. You get the rich harmonics of distortion specific to various types of tube amps, made possible with 24-bit A/D/A conversion and the processing power that only our digital modeling technology can reproduce. |  |
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