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- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
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Titulo : Audio CD - OVERCLOCKED - Jim Allchin
UPC/EAN : 786851888973

Jim s contemporary blues-rock style has a uniquely modern feel with contemporary lyrics and explosive guitar lines, but it respectfully bows to the core soul that has been embodied in the blues throughout the ages. His newest album, Overclocked, is an ambitious, perfectly crafted 13-song set of original blistering blues, sophisticated jazz, heavy rock and tender pop ballads spotlighting his virtuoso guitar chops, creative lyrics and mellifluous vocals. A recent quote about Overclocked: He almost smokes the strings off his guitar in a shocking display of electric fretboard mayhem. -Dave Rubin, 2005 KBA Winner in Journalism Review The opening autobiographical title track, which is a computer term for deliberately modifying a computer to run faster than its original design to create screaming performance, but also resulting in overheating even to the point of melting down, is the perfect metaphor for Allchin and his need to cut loose. After a respectful and restrained intro that references past guitar boogie shuffles, he almost smokes the strings off his guitar in a shocking display of electric fretboard mayhem. Taking another direction, Willow Tree is a jazzy and satiny smooth swinging shuffle through which Allchin with his warm tenor voice relates a classic story of romantic treachery with the distinctly modern line, Now you think you can text and say ya love me (LOL) that is followed with the devastating putdown, Yeah, the willow may be weeping, but there s no tears left in me. As he does throughout the record, Allchin incorporates a variety of clean and dirty guitar tones in his various solos, including fat, slithery obbligato slide in the coda. Back in the Swamp is a kicking, horn-powered shuffle blues with a lyric that wryly refers to his Florida roots as Allchin sings, Yeah, I m back in the swamp, those gators gonna get me. See, I cheated on that girl. Now I m up the creek. A rocket-ride of a guitar solo pumps the energy quotient even higher while the hooky, tuneful chorus of I m back in the swamp sticks in the ear and does not leave. Listening to the words, you have to wonder if he didn t write it to reference all the politicians and celebrities who seem to have fidelity problems. The hard blues-rocking Texas shuffle that drives Don t Tell Me What to Do affords Allchin the opportunity to settle an old score with an unnamed protagonist with lines like, I m steppin out, got a Richter 9 tude. People like you don t tell me what to do and, You think you re so cool. But one day you ll learn who s got the IQ that are a far cry from blues cliches like, My baby left me. His exceedingly aggressive solo that swings like an Olympic gymnast also cuts like a knife. Dynamically changing pace, the slow blues of One for the Money with the great guest vocalist Keely Whitney provides the lead guitarist ample room to exorcise his blues with a searing solo that contrasts with her beautifully modulated and expressive pipes. Allchin flaunts his expansive skills and wide musical interests on Fall, a moody instrumental ballad reminiscent of Rainy Night in Georgia that amply shows his mastery of the three Ts of tone, taste and technique, to which melody, drama and dynamics should be added. The exuberant shuffle of Dr. J does not refer to the former NBA star but to an elderly guitarist who relives past glories by sitting in with the band. Allchin, who may see the subject as his future alter ego, enters with howling slide guitar and sings with convincing empathy before twisting the neck of his axe into a pretzel with a knuckle-busting solo. A visit to the classic R&B of yore with the ballad Mr. Unknown finds Allchin delivering his most soulful vocal in a tale about the desire to escape one s identity with, I don t trust anyone with just being me, their deceit comes too easily. So I ll just be Mr. Unknown, safe and all on my own. Flirt follows with a fist-pumping minor key rock anthem that calls out the barroom

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