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CaracterĂ­sticas principales

TĂ­tulo del libro
The Drawings Of Heinrich Kley (dover Fine Art, History Of A
Autor
Kley, H.
Idioma
Inglés
Editorial del libro
Dover Publications
Tapa del libro
Blanda
Año de publicación
1997
Marca
Dover Publications
Modelo
Ingles

Otros

Cantidad de páginas
144
Tipo de narraciĂłn
Novela
ISBN
9780486200248

DescripciĂłn

- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
- ENVIAMOS POR MERCADOENVIOS
- PUEDE RETIRAR POR AHORA SOLO POR QUILMES, MICROCENTRO ESTA CERRADO, POR ESO...
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DescripciĂłn provista por la editorial :

This is a new unabridged edition of the two sketchbooks by Heinrich Kley, one of the greatest cartoonists and social satirists of modern times. Kleys drawings combine savage humor that cuts to the bone with unbelievably brilliant draughtsmanship. Several of these sketches have been reprinted time and again, and probably everyone has seen at least one. But until now the main body of Kleys work has been almost completely unavailable, and it has been impossible to savor the full richness of his mocking irony.First published in Munich in 1909 and 1910, Kleys sketches reflected the growing tensions of the twentieth century and the strong undercurrent of disillusionment that Europe was prey to. His frantic, posturing, iconoclastic brainchildren lash mercilessly at bureaucracy, militarism, false Gemutlichkeit, the eccentricities of reformer, the ballast of majesty, and many more facets of a weary civilization. Anyone interested in caustic social satire will find that these vivid, unforgettable cartoons are still among the most enjoyable and pungent examples of this art. Kleys bizarre hybrid and bestial forms (in the long tradition of European visionary fantasy exemplified by Hieronymus Bosch, the elder Breughel, and Goya) give them far more depth and levels of meaning than other works in the genre.Kleys imaginative universe and strongly individual style have often been imitated by later artists, but none has captured his acid depths. His nervous line quality and extraordinary technique are still inspirations for artists and cartoonists who want to learn how to draw line figures that practically leap off the page.A new introduction, specially written for this edition, gathers together the available information on Kleys life and training, the formative elements in the present sketches, and the other facets of his art. From the Back Cover This is a new unabridged edition of the two sketchbooks by Heinrich Kley, one of the greatest cartoonists and social satirists of modern times. Kleys drawings combine savage humor that cuts to the bone with unbelievably brilliant draughtsmanship. Several of these sketches have been reprinted time and again, and probably everyone has seen at least one. But until now the main body of Kleys work has been almost completely unavailable, and it has been impossible to savor the full richness of his mocking irony.First published in Munich in 1909 and 1910, Kleys sketches reflected the growing tensions of the twentieth century and the strong undercurrent of disillusionment that Europe was prey to. His frantic, posturing, iconoclastic brainchildren lash mercilessly at bureaucracy, militarism, false Gemutlichkeit, the eccentricities of reformer, the ballast of majesty, and many more facets of a weary civilization. Anyone interested in caustic social satire will find that these vivid, unforgettable cartoons are still among the most enjoyable and pungent examples of this art. Kleys bizarre hybrid and bestial forms (in the long tradition of European visionary fantasy exemplified by Hieronymus Bosch, the elder Breughel, and Goya) give them far more depth and levels of meaning than other works in the genre.Kleys imaginative universe and strongly individual style have often been imitated by later artists, but none has captured his acid depths. His nervous line quality and extraordinary technique are still inspirations for artists and cartoonists who want to learn how to draw line figures that practically leap off the page.A new introduction, specially written for this edition, gathers together the available information on Kleys life and training, the formative elements in the present sketches, and the other facets of his art.First unabridged and unaltered republication of Skizzenbuch, 1909, and Skizzenbuch II, 1910. Two books bound as one. About the Author Heinrich Kley (1863-1945) abandoned painting to focus on his pen-and-ink drawings. Steeped i
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