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Características del producto

Características principales

Nombre del álbum
Celtic Lute
Compañía productora
Sono Luminus
Formato
Físico
Tipo de álbum
CD
Año de lanzamiento
2018
Marca
Sono Luminus
Modelo
7DJR8BPQ

Otras características

Género
Classical

Descripción

- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
- ENVIAMOS POR MERCADOENVIOS
- PUEDE RETIRAR POR AHORA SOLO POR QUILMES, MICROCENTRO ESTA CERRADO, POR ESO...
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- ELBAZARDIGITAL VENDEDOR PLATINUM
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- SOMOS IMPORTADORES DIRECTOS, ESTE PRODUCTO SE COMPRA Y SE IMPORTA DESDE ESTADOS UNIDOS, ESTO IMPLICA QUE USTED ESTA COMPRANDO EL MISMO PRODUCTO QUE COMPRARÍA UN CLIENTE DE ESE PAÍS.

- ANTES DE REALIZAR UNA CONSULTA, VISUALICE TODAS LAS IMAGENES DEL PRODUCTO.


Titulo : Audio CD - CELTIC LUTE - MCFARLANE,RONN
UPC/EAN : 053479222527

Review Simply hearing a single instrument played with consummate skill can be enough to make some recordings worthwhile, even if the specific music performed is less involving than the manner of playing it. That is the case with a new Sono Luminus release featuring lutenist Ronn McFarlane. The 26 tracks, which collectively last only 56 minutes, include 11 works by Turlough OCarolan (1670-1738), the famed blind Irish harpist, along with eight traditional Scottish pieces, six traditional Irish tunes, and one piece by James Oswald (c. 1711-1769). All are played masterfully in McFarlanes own arrangements, which give the disparate works a greater feeling of cohesion than they would otherwise have. McFarlanes complete mastery of his instrument is everywhere apparent in his fingerings, his expressiveness, his ability to contrast bright and dancelike material with inward-focused pieces, and his overall sensitivity to the nuances of compositions that, especially in the case of the folk tunes, are generally straightforward and harmonically and rhythmically simple. There is generally greater depth to the OCarolan pieces than to anything else here, and McFarlane translates the ethereality of some of the harp material to the lute in a way that is thoroughly engaging to hear. This is less a disc to be listened to for the sake of the specific musical works presented than one to hear to consider, or reconsider, the wide adaptability of the lute in the right hands: far from being a simple, archaic serenade-accompanying instrument of the sort so notably parodied by Wagner in Die Meistersinger, the lute can be a communicator of sensitivity and considerable emotional scope when played with as much attentiveness and flair as it is here. The Celtic Lute is a tribute to the instrument and to McFarlane more than to any individual work on the disc, and more even than to OCarolan although certainly the arrangements of his material inspired McFarlane to produce transcriptions of considerable beauty for his lute to bring forth. --The Infodad Team

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