Book : The Museum Of Desire An Alex Delaware Novel -...

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NEW YORK TIMES BESTSELLER * Psychologist Alex Delaware and detective Milo Sturgis struggle to make sense of a seemingly inexplicable massacre in this electrifying psychological thriller from the #1 New York Times bestselling master of suspense. LAPD Lieutenant Milo Sturgis has solved a lot of murder cases. On many of them-the ones he calls “different”-he taps the brain of brilliant psychologist Dr. Alex Delaware. But neither Alex nor Milo are prepared for what they find on an early morning call to a deserted mansion in Bel Air. This one’s beyond different. This is predation, premeditation, and cruelty on a whole new level.Four people have been slaughtered and left displayed bizarrely and horrifically in a stretch limousine. Confounding the investigation, none of the victims seems to have any connection to any other, and a variety of methods have been used to dispatch them. As Alex and Milo make their way through blind alleys and mazes baited with misdirection, they encounter a crime so vicious that it stretches the definitions of evil. About the Author Jonathan Kellerman is the #1 New York Times bestselling author of more than forty crime novels, including the Alex Delaware series, The Butchers Theater, Billy Straight, The Conspiracy Club, Twisted, True Detectives, and The Murderers Daughter. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored A Measure of Darkness, Crime Scene, The Golem of Hollywood, and The Golem of Paris. He is also the author of two childrens books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and the Lifetime Achievement Award from the American Psychological Association, and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California and New Mexico. Excerpt. © Reprinted by permission. All rights reserved. When it comes to murder, nighttime’s the right time. So when Milo calls me, I often find myself driving to crime scenes on dark L.A. streets. This time, the phone rang just after nine a.m. Lovely Sunday in May. Robin and I and Blanche, our little French bulldog, had taken a leisurely two-mile walk followed by a pancake breakfast. Robin was washing, I was drying, Blanche’s sausage body was prone on the kitchen floor as she snored and let out periodic dream squeaks. My phone, on vibrate, bounced on the kitchen counter. Milo’s number on the screen.I said, “What’s up, Big Guy?” Detective II Moses Reed said, “Actually it’s me, Doc. He asked me to phone you.” “Busy, huh?” “We’re all busy. This is utterly horrible.” Reed’s a terse young man; it takes a lot to get him using adverbs. I sat down and listened as he explained, images tumbling into my brain. Robin turned from the sink, pretty eyebrows arching. I shook my head and mouthed Sorry, and said, “Where, Moe?” “Private road called Ascot Lane, off Benedict Canyon. Easy to miss, kind of like your street, but this one’s more like a big driveway, only goes to one house.” He sighed. “Half mile north of the Beverly Hills border.” But for a couple thousand feet, someone else’s problem. I said, “Give me half an hour.” “Whenever you get here, Doc. No one’s leaving for a while.” In the movies when detectives encounter terrible things they frequently banter and tell tasteless jokes. That may be because screenwriters or the people who pay them are emotionally shallow. Or the scribes haven’t taken the time to hang out with real detectives. I’ve found that the men and women who work homicide tend to be thoughtful, analytic, and sensitive. Despite a certain gruffness, that certainly applies to Milo. My best friend has closed over three hundred fifty murders and he’s never lost his
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