Cd Goodtimes Goodtimes - Goodtimes Goodtimes

Descripción

- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
- ENVIAMOS POR MERCADOENVIOS
- PUEDE RETIRAR POR AHORA SOLO POR QUILMES, MICROCENTRO ESTA CERRADO, POR ESO...
- EN CABA (CAPITAL FEDERAL) ENVIAMOS SIN CARGO ESTE PRODUCTO.
- FORMA DE PAGO : MERCADOPAGO
- HACEMOS FACTURA A.
- ELBAZARDIGITAL VENDEDOR PLATINUM
- TODOS NUESTROS PRODUCTOS EN:

https://eshops.mercadolibre.com.ar/elbazardigital

-X-X-X-

- SOMOS IMPORTADORES DIRECTOS, ESTE PRODUCTO SE COMPRA Y SE IMPORTA DESDE ESTADOS UNIDOS, ESTO IMPLICA QUE USTED ESTA COMPRANDO EL MISMO PRODUCTO QUE COMPRARÍA UN CLIENTE DE ESE PAÍS.

- ANTES DE REALIZAR UNA CONSULTA, VISUALICE TODAS LAS IMAGENES DEL PRODUCTO.


Titulo : Audio CD - GOODTIMES GOODTIMES - Goodtimes Goodtimes
UPC/EAN : 842108070116

This 2-CD set was recorded on October 31, 1970 in a single, sleepless night, the fleeting space of a session that took place almost undetected and in a sort of urgent calm. The first CD includes the America Masters previously released on vinyl only. The second CD includes all the alternate takes and comments and directions by Charles Mingus during the sessiontakes. Its fascinating piece of Jazz history. Thankfully, the brains behind this double-disc reissue of two almost forgotten 1970 sessions determined that the first CD should be simply the six tracks originally released on the America label. The false starts and incomplete and alternate takes are left for the second disc. This way, the album closes properly -- in a fit of passion, with Minguss sextet spinning intense yarns out of Pithecanthropus Erectus, a tune un-recorded in the studio since 1956. Here, Jaki Byard gets a midnight solo, wobbling on the rails between his well-known clustering talent and his deeply lyrical bent. Bobby Jones on tenor, Charles McPherson on alto, and Eddie Preston on trumpet offer a variety of predispositions, mostly post-bop but certainly aware of the tonal advances Eric Dolphy made with Mingus. I Left My Heart in San Francisco is lovely, slightly tense which helps with the drama, and Peggys Blue Skylight is dynamic and lazily vigorous. As for the second disc, its instructional in how Mingus the bandleader thought and led: beyond that, its for the initiates only. Keep in mind that these tunes comprise the first studio album Mingus made afterMingus, Mingus, Mingus, Mingus, Mingus and show the bassist returning to the forge, readying himself for the great stuff yet to come with George Adams and Don Pullen.--Andrew Bartlett Review Charles Mingus, the legendary jazz bassist and composer, possessed spontaneity and a passionate attention to rehearsal in equal measure. But Mingus career was also peppered with highs and lows, a direct result of a mercurial relationship with bandmates and a tempestuous relationship with critics and the public.By 1970, it was widely assumed, Mingus was all done - washed up by personal excesses, an indifferent public, a shortage of new ideas, and lingering sadness over the death of friend and fellow musical traveler Eric Dolphy in June 1964. So much for the conventional wisdom. This just-released recording from October 1970 shows a Mingus revitalized, working with a tight five-piece band able to bird-dog his every musical step.This illuminating two-disc set performs a dual service. First, we get the reissue of an earlier album, with Mingus and company reworking classics such as Peggys Blue Skylight and Reincarnation of a Lovebird, his expansive meditiation on the death of Charlie Parker. Theres also Pithecanthropus Erectus, a 16-minute manifesto that brilliantly merged blues and gospel themes with jazz.The re-release would have been valuable enough, but the second disc of this new package contains the alternate takes of virtually everything on the first. Mingus and band give fractious birth in rehearsal to the finished recordings. Its these half-hearted nice tries that reveal both the agonies and joys of the process of creating music.We hear Mingus by turns lecturing, hectoring, and caressing his sidemen, including stalwarts Jaki Byard on piano and Dannie Richmond on drums. Sometimes the alternate versions sound fine - then Mingus stops the group to correct a flaw only he can hear. Sometimes were left to lament the one that got away: In an incomplete version of Parkers Blue Bird, were witness to Byard laying down nothingless than a relevatory pianistic work of art only to hear the track suddenly stop - presumably because the tape ran out.The result is a document that gives us the backstory to one of Mingus more memorable releases. Its been said that Mingus returned to his full creative glory with this recording, now alm

-o-o-o-

Garantía del vendedor: 90 días