Cd The Complete Recorded Works 1938-40, Vol. 5 - Waller,...
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Características del producto
Características principales
Nombre del álbum | The Complete Recorded Works 1938-40, Vol. 5 |
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Compañía productora | Jsp Records |
Formato | Físico |
Tipo de álbum | CD |
Año de lanzamiento | 2008 |
Marca | Jsp Records |
Modelo | 01BJ65X0 |
Otras características
Género | Jazz - Swing Jazz |
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Descripción
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Titulo : Audio CD - THE COMPLETE RECORDED WORKS 1938-40, VOL. 5 - WALLER,FATS
UPC/EAN : 788065904920
In this fifth volume of our Fats Waller edition, Fats takes rare trips overseas. Fats audiences were falling in the US. Europe was an obvious refuge. Fats asking price was an unprecedented $2500 a week. The British accepted the figure without hesitation. Fats first appearance was in Glasgow - a tough town. To up the ante, Fats wore a kilt for his first show. Theyd either love him or hate him. It was love. An audience of 2100 called him back for ten curtain calls. A week later, he did the same at the London Palladium. After the Palladium date, Fats recorded at HMVs Abbey Road. Jazz-inspired players were called in. One broke off his honeymoon to play with Fats. A week after his first UK session, Fats was at the Abbey Road organ to cut a sequence of spirituals. He finished in tears. Across the Channel he was as feted as he had been in Britain. His spiritual records had reached France and he was asked to play them in Notre Dame. Fats then started a royal progress, marred by problems in Germany. Hitlers saber-rattling became so worrying that the tour was canceled. Fats went home. So to the famous October 13th session. With the four confidently struck chords that open Two Sleepy People, Fats seems to be saying Im back! And with his regular band in terrific form, he was. Europe could rout out a decent group of session players, but theyd rarely duplicate this casual virtuosity. The round of touring and recording continued. So great were Europes attractions, that Fats made another Transatlantic trip, where again, he made some historic serious recordings that might not have been considered in the US. Those recordings are here. Make your own judgment. Fats returned to a US that welcomed him. The grueling treadmill resumed. The last sides here are less famous than Fats showcase material, but no worse for that. On Oh Frenchy the whole band reveals its New Orleans side - the finale a call-to-arms that would soon be sounded for real.
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