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Características del producto

Características principales

Nombre del álbum
Meu Samba Torto
Compañía productora
Compass Records
Formato
Físico
Tipo de álbum
CD
Año de lanzamiento
2007
Marca
Compass Records
Modelo
00QEILQU

Otros

Género
International Music - South & Central America

Descripción

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Titulo : Audio CD - MEU SAMBA TORTO - Clara Moreno
UPC/EAN : 766397446028

Clara Morenos new release features a stellar line-up of Brazilian musicians, including Claras mother, the legendary Brazilian singer and songwriter Joyce, and the celebrated songwriter and guitarist Celso Fonseca. Meu Samba Torto features two new compositions written especially for Clara by her peers. Joyce contributes Sabe Quem, and Celso Fonseca has penned LitorA¡nea. There are also interpretations of classic bossa nova tracks such as MoA§a Flor, originally recorded by the Tamba Trio, Vem Morena Vem, from Jorge Bens debut album, and Morena Boca de Ouro, made famous by JoA£o Gilberto. Surprises are delivered in a version of Mon Manege a Moi, originally recorded by the French singer Edith Piaf, and a beautiful cover of the American jazz standard Tenderly. About the Artist Clara Moreno is the daughter of the famous Brazilian singer/songwriter/guitarist Joyce and composer Nelson Angelo. Born in Brazil in 1971 Moreno recalls her early musical experiences with great fondness: Every night my mother would rehearse and we use to go to all her concerts - I grew up listening to music from an early age. Morenos career began soon after she learned to talk, performing backing vocals in childrens choirs for artists such as Milton Nascimento, Egberto Gismonti, Joyce, Originais do Samba and Trem da Alegria amongst others. In 1989, aged 18, Moreno went to study music in France and it was in Paris where she both recorded her first single and first performed solo. Here she regularly played the Lionel Hampton Jazz Club beneath the Le MA©ridien Etoile hotel - one of the citys most distinguished jazz venues. In 1991 at Paris ThA©A¢tre de La Ville she appeared onstage alongside her mother. Moreno remembers her time in Paris fondly and on her new album she pays tribute to Edith Piaf, the French singer who thrilled me most, with a wonderful cover of Mon Manege A Moi. Aged 23 Moreno returned to Brazil in 1994 and launched straight into a career in music, guesting on the track Minha Gata Rita Lee on Joyces CD Revendo Amigos. This followed guest appearances alongside other artists such as Nelson A ngelo and Robertinho Silva. Her first solo show in Brazil was in 1995 at the Au Bar in Rio in a tribute to the famous Brazilian singer Rita Lee. In 1996, Moreno opened for Paulinho Moska at the Garota de Ipanema park in Rio and recorded her eponymous debut CD. In 1997 Moreno went to Japan where she appeared in the Gets Bossa Nova show in Tokyo, Japan. That same year she contributed a recording of SA³ DanA§o Samba for the tribute to Bossa Nova CD 40 Anos de Bossa Nova which solidified her standing as a Brazilian singer in her own right. Her third album Mutante was recorded in 1999, and picked up for worldwide distribution by UK based Timewarp Distribution, her name was brought to the attention of Brazilian music fans the world over. 2002 saw the release of Morena Bossa Nova - her fourth CD where she experimented with electronic music to create an album with a contemporary take on bossa nova. It was recorded whilst Moreno was pregnant with producer Rodolfo Stroeter (the producer of Joyces most recent CDs Just a Little Bit Crazy and Rio Bahia). Morena Bossa Nova featured the Norwegian keyboard player Bugge Weseltoff as well Teco Cardoso, Robertinho Silva & Nailor Proveta - all regular contributors to Joyces recent albums. With Meu Samba Torto Moreno felt the urge to strip things down and pay tribute to the musical heritage of the city she is from: Bossa nova has always played a very important role in my life, and I decided to go for it with this CD and really search for the feeling of what its like to be a carioca. Having listened to this music all my life I had no trouble of thinking of songs to cover and my mother Joyce, suggested some nice songs, as did Celso. I feel that the album has a 60s bossa nova feeling, which is great, but at the same time, the music that we have done is up to date and refle

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