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Review Domby provides the most extensive discussion of the role of white supremacy in the Lost Cause that we have.... The False Cause makes an important contribution to current public debates over that history and the continued use of Confederate symbols.--Civil War Book ReviewThe False Cause is full of thoroughly entertaining stories thatgrab readers attention and make them think about the lies of theLost Cause and how pervasive that narrative has been throughout UShistory. Domby concludes this work by calling on his fellowhistorians to carefully and thoughtfully engage with the public withthe hope of curtailing these dangerous fabrications, because we havethe ability to call attention to how the past has been used andmanipulated. Judging by his Twitter feed, Domby is leadingby example.--H-NetThat The False Cause was released and has gained so much attention with the debate over monuments intensifying makes sense, as the origins of the book itself have to do with the fight over the Silent Sam memorial on the campus of the University of North Carolina, Chapel Hill. Yet I suspect the book will be useful for years to come, both as a primer to think about the crafting of the Lost Cause narrative, and to spark deeper discussions about how communities shape--and reshape--public memory for political, social, and cultural causes.--Society for U.S. Intellectual HistoryFrom street names to local politics to tourist attractions around the Lowcountry, the institution of slavery is arguably the single-most-significant historical theme still affecting Charleston, now a city which attracts millions of visitors each year and thousands of new residents each month. A just-released book by College of Charleston history professor Adam H. Domby examines the fallacies of the Confederate narrative which still define how many people see our diverse, growing state.--Charleston City PaperA fascinating, original, and highly readable book that makes a meaningful contribution to understanding the Lost Cause and Civil War memory.--David Silkenat, University of Edinburgh, author of Raising the White Flag: How Surrender Defined the American Civil WarIn The False Cause, Adam Domby has written a highly-readable and pointed assessment of the Souths postwar narratives about the Civil War, veterans, and slavery itself. He makes a compelling case that the Lost Cause, a narrative based on misrepresentation and, in some instances, outright lies, provided the justification for white supremacy, veterans pensions, and African American disenfranchisement. While a case study of North Carolina, this book is a valuable addition to the historical literature on how the post-Civil War South reinvented itself and why, to this day, we still contend with the Lost Cause revisionism of the southern past.--Karen L. Cox, University of North Carolina at Charlotte, author of Dixies Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture The Lost Cause ideology that emerged after the Civil War and flourished in the early twentieth century in essence sought to recast a struggle to perpetuate slavery as a heroic defense of the South. As Adam Domby reveals here, this was not only an insidious goal; it was founded on falsehoods. The False Cause focuses on North Carolina to examine the role of lies and exaggeration in the creation of the Lost Cause narrative. In the process the book shows how these lies have long obscured the past and been used to buttress white supremacy in ways that resonate to this day.Domby explores how fabricated narratives about the war’s cause, Reconstruction, and slavery-as expounded at monument dedications and political rallies-were crucial to Jim Crow. He questions the persistent myth of the Confederate army as one of history’s greatest, revealing a convenient disregard of deserters, dissent, and Unionism, and exposes how pension fraud facilitated a myth of unwav
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