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Características del producto

Características principales

Título del libro
The Cases That Haunt Us
Autor
Douglas, John E.
Idioma
Inglés
Editorial del libro
Pocket Books
Tapa del libro
Blanda
Año de publicación
2001
Marca
Pocket Books
Modelo
Ingles

Otras características

Cantidad de páginas
512
Tipo de narración
Novela

Descripción

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Descripción provista por la editorial :

Violent. Provocative. Shocking. Call them what you will...but dont call them open and shut. Did Lizzie Borden murder her own father and stepmother? Was Jack the Ripper actually the Duke of Clarence? Who killed JonBenet Ramsey? Americas foremost expert on criminal profiling and twenty-five-year FBI veteran John Douglas, along with author and filmmaker Mark Olshaker, explores those tantalizing questions and more in this mesmerizing work of detection. With uniquely gripping analysis, the authors reexamine and reinterpret the accepted facts, evidence, and victimology of the most notorious murder cases in the history of crime, including the Lindbergh baby kidnapping, the Zodiac Killer, and the Whitechapel murders. Utilizing techniques developed by Douglas himself, they give detailed profiles and reveal chief suspects in pursuit of what really happened in each case. The Cases That Haunt Us not only offers convincing and controversial conclusions, it deconstructs the evidence and widely held beliefs surrounding each case and rebuilds them -- with fascinating, surprising, and haunting results. Review Us Weekly Absorbing and surprising.Patricia Cornwell John Douglas is masterful and unrivaled in scientific and gifted probing of the violent mind. About the Author John E. Douglas is a former special agent with the US Federal Bureau of Investigation, one of the first criminal profilers, and a criminal psychology author. His works include Mindhunter, Obsession, and Journey Into Darkness, among others. Excerpt. © Reprinted by permission. All rights reserved. Chapter One: Jack the RipperIn the dark realm of serial killers, this is ground zero: the point from which virtually all history and all discussions begin.By modern standards, the ghostly predator who haunted the shadowy streets of Londons East End between August and November of 1888 was nothing much to write home about. Sadly, many of his successors -- people I and my colleagues have had to hunt -- have been far more devastatingly productive in the number of lives they took, and even the gruesome creativity with which they took them. But none other has so quickly captured and so long dominated the publics fascination as Jack the Ripper: the Whitechapel Murderer, the personification of mindless brutality, of nameless, motiveless evil.Why this one? Why him (although some still steadfastly maintain it was a her)? There are several reasons. For one, the crimes -- a series of fatal stabbings that escalated into total mutilation -- were concentrated in a small geographic area, directed at a specific type of preferred victim. For another, though there had been isolated sexually based killings in England and the European continent in the past, this was the first time most Victorians had ever faced or had to deal emotionally with such a phenomenon. Add to this a social reform movement and a newly energetic and outspoken press eager to call attention to the appalling living conditions in the East End, and you have all the ingredients for what became, literally, one of the biggest crime stories of all time.The reasons why these murders continue to fascinate above all others, even in this modern age with our seemingly endless succession of crimes of the century, are equally strong, though, as we will quickly learn, often based on misimpression. In spite of their barbarism, they represent a real-life mystery from the era of Sherlock Holmes -- the bygone romantic era of high Victorian society, gaslights and swirling London fog, though where the killings actually took place had little real relationship to Victorian splendor, and each crime was actually committed on a night without fog. On only one of the nights was it even raining. In fact, at the same time the Ripper murders were terrorizing the desperate East End, a melodrama based on Robert Louis Stevensons The Strange Case of Dr. Jekyll and Mr. Hyde was thrilling audiences at the Lyc
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