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Características del producto

Características principales

Título del libro
Move Fast And Break Things How , Google, And ELBAZARDIGITAL
Autor
Taplin, Jonathan
Idioma
Inglés
Editorial del libro
Back Bay Books
Tapa del libro
Blanda
Año de publicación
2018
Marca
Back Bay Books
Modelo
Ingles

Otras características

Cantidad de páginas
320
Tipo de narración
Novela

Descripción

- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
- ENVIAMOS POR MERCADOENVIOS
- PUEDE RETIRAR POR AHORA SOLO POR QUILMES, MICROCENTRO ESTA CERRADO, POR ESO...
- EN CABA (CAPITAL FEDERAL) ENVIAMOS SIN CARGO ESTE PRODUCTO.
- FORMA DE PAGO : MERCADOPAGO
- HACEMOS FACTURA A.
- ELBAZARDIGITAL VENDEDOR PLATINUM
- TODOS NUESTROS PRODUCTOS EN:

https://eshops.mercadolibre.com.ar/elbazardigital

-X-X-X-

- SOMOS IMPORTADORES DIRECTOS, ESTE PRODUCTO SE COMPRA Y SE IMPORTA DESDE ESTADOS UNIDOS, ESTO IMPLICA QUE USTED ESTA COMPRANDO EL MISMO PRODUCTO QUE COMPRARÍA UN CLIENTE DE ESE PAÍS.

- ANTES DE REALIZAR UNA CONSULTA, VISUALICE TODAS LAS IMAGENES DEL PRODUCTO.
Descripción provista por la editorial :

The book that started the Techlash. A stinging polemic that traces the destructive monopolization of the Internet by Google, and Amazon, and that proposes a new future for musicians, journalists, authors and filmmakers in the digital age. Move Fast and Break Things is the riveting account of a small group of libertarian entrepreneurs who in the 1990s began to hijack the original decentralized vision of the Internet, in the process creating three monopoly firms -- , Amazon, and Google -- that now determine the future of the music, film, television, publishing and news industries. Jonathan Taplin offers a succinct and powerful history of how online life began to be shaped around the values of the men who founded these companies, including Peter Thiel and Larry Page: overlooking piracy of books, music, and film while hiding behind opaque business practices and subordinating the privacy of individual users in order to create the surveillance-marketing monoculture in which we now live. The enormous profits that have come with this concentration of power tell their own story. Since 2001, newspaper and music revenues have fallen by 70 percent; book publishing, film, and television profits have also fallen dramatically. Revenues at Google in this same period grew from $400 million to $74.5 billion. Today, Googles YouTube controls 60 percent of all streaming-audio business but pay for only 11 percent of the total streaming-audio revenues artists receive. More creative content is being consumed than ever before, but less revenue is flowing to the creators and owners of that content. The stakes here go far beyond the livelihood of any one musician or journalist. As Taplin observes, the fact that more and more Americans receive their news, as well as music and other forms of entertainment, from a small group of companies poses a real threat to democracy. Move Fast and Break Things offers a vital, forward-thinking prescription for how artists can reclaim their audiences using knowledge of the past and a determination to work together. Using his own half-century career as a music and film producer and early pioneer of streaming video online, Taplin offers new ways to think about the design of the World Wide Web and specifically the way we live with the firms that dominate it. Review Praise for Move Fast and Break ThingsA New York Times Book Review Editors ChoiceAn Amazon Best Business & Leadership Book of the yearLonglisted for Financial Times/McKinsey Business Book of the Year A strategybusiness Best Business Book of the yearAn Inside Higher ED Best Book of the yearJonathan Taplins Move Fast and Break Things argues that the radical libertarian ideology and monopolistic greed of many Silicon Valley entrepreneurs helped to decimate the livelihoods of musicians and is now undermining the communal idealism of the early internet. Walter Isaacson, New York Times Book ReviewTaplin is uniquely poised to deliver us Move Fast and Break Things, a relentless critique that seeks to answer the above question of why the internet has hindered, rather than helped, those trying to make a living in the arts. New York Daily NewsA scathing indictment of these tech companies greed and arrogance. The GuardianA radical remedy. The EconomistA necessary book that shows how the Internet revolution has damaged the way we interact as human beings, along with democracy itself. The NationTaplin brings an informed perspective to his task, and an idiosyncratic background...[his] broader explanation of the upheaval in the music and media industries is illuminating. Wall Street JournalAn impassioned new book...Taplin is at his strongest when he pulls back the curtain on vague and lofty terms such as digital disruption to reveal the effects on individual artists...His prose is bold...his overall point is an important one. Washington PostA solid qualitative and quantitative analysis...most every c
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