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John Miltons celebrated epic poem exploring the cosmological, moral and spiritual origins of mans existenceA Penguin ClassicIn Paradise Lost Milton produced poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time, populated by a memorable gallery of grotesques. And yet, in putting a charismatic Satan and naked, innocent Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and in danger of execution - Paradise Losts apparent ambivalence towards authority has led to intense debate about whether it manages to justify the ways of God to men, or exposes the cruelty of Christianity.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.Review“In this landmark edition, teachers will discover a powerful ally in bringing the excitement of Milton’s poetry and prose to new generations of students.”-William C. Dowling, Rutgers University“This magnificent edition gives us everything we need to read Milton intelligently and with fresh perception.”-William H. Pritchard, Amherst CollegeAbout the AuthorJohn Milton (1608-1674) spent his early years in scholarly pursuit. In 1649 he took up the cause for the new Commonwealth, defending the English revolution both in English and Latin - and sacrificing his eyesight in the process. He risked his lifeby publishing The Ready and Easy Way to Establish a Free Commonwealth on the eve of the Restoration (1660). His great poems were published after this political defeat.John Leonard is a Professor of English at the University of Western Ontario.Excerpt. © Reprinted by permission. All rights reserved.PARADISE LOST the printer to the readerCourteous Reader, there was no argument at first intended to the book, but for the satisfaction of many that have desired it, I have procured it, and withal a reason of that which stumbled many others, why the poem rhymes not. S. SimmonsThe VerseThe measure is English heroic verse without rhyme, as that of Homer in Greek, and of Vergil in Latin; rhyme being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame meter; graced indeed since by the use of some famous modern poets, carried away by custom, but much to their own vexation, hindrance, and constraint to express many things otherwise, and for the most part worse than else they would have expressed them. Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme both in longer and shorter works, as have also long since our best English tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.1. The defense of blank verse and the prose arguments summarizing each book “procured” by Milton’s printer, Samuel Simmons, were inserted in bound copies of the first edition beginning in 1668, with this brief note.This neglect then of rhyme so little is to be taken for a defect, though it may seem so perhaps to vulgar readers, that it rather is to be esteemed an example set, the first in English, of ancient liberty recovered to heroic poem fro
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