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- ANTES DE COMPRAR PREGUNTE FECHA DE ENTREGA.
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- PUEDE RETIRAR POR AHORA SOLO POR QUILMES, MICROCENTRO ESTA CERRADO, POR ESO...
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Descripción provista por la editorial :

ReviewDespite the unpromising terrain of the autoroute, they make interesting discoveries daily. Much of the travelogue is humorous, yet it’s also a serious book about ’slow travel’ in which they subvert the autoroute’s efficiency and find adventure in unexpected places.--Yael Schlick, Toronto StarThe journey undertaken by Cortazar and his wife and collaborator Carol Dunlop is quixotic in the largest sense. At one level, it is an adventure stood on its absurd head. At another, it is something graver-a mask of comedy concealing the enigma of an archaic smile.--Richard Eder, The Los Angeles Times Book ReviewDriving a van that never leaves the motorway from Paris to Marseille, Dunlop and Cortazar explore a mysterious world full of car parks and botanical samples, crappy restaurants and their customers. A fascinating journal dedicated to ‘all the weirdos in the world’, it should take its place alongside Robert Louis Stevenson’s travel diaries.--Nicolas Bourriaud, FriezeAutonauts of the Cosmoroute is a travelogue, a love story, an irreverent collection of visual and verbal snapshots. In May 1982, Julio Cortazar and Carol Dunlop climbed aboard Fafner, their VW camper van, and embarked on an exploration of the uncharted territory of the Paris-Marseilles freeway. It was a route they¢d covered before, usually in about ten hours, but his time they loaded up with supplies and prepared for an ardous voyage of thirty-three days without leaving the autoroute. Along the way they would uncover the hidden side of the freeway and record The trip’s vital minutiae with light-hearted abandon. At roadside rest areas, armed with typewriters, cameras, and mutual affection, the authors composed this book.From Publishers WeeklyStarred Review. A couples leisurely drive through France finally makes it to the U.S. in this long-overdue translation of Cortazar (1914-84) and Dunlops (1946-82) wry, wondrous 1983 travelogue. Following two simple rules-Complete the journey from Paris to Marseille without once leaving the autoroute, and visit each of the 70 rest areas at the rate of two per day-the couple stretch a 10-hour highway trip into a month-long expedition, capturing in short, snappy chapters the joy of slowing down and enjoying the scenery. At times poetic, at others sarcastic, and always playful, the authors take turns with the narrative the way a pianist plays a sonata, the hands united in a single quest. The resulting tale is an infectious love letter to the road, their VW camper van and each other, made more poignant by Dunlops untimely death (she passed before the book was finished). Despite some sleepless nights and depressing, concrete-slab surroundings, the couples sunny mood and clever observation will keep readers engaged. Enjoyable, if a bit inconsequential, this jaunt makes a great introduction to the work of Latin American heavyweight Cortazar, known for short stories and experimental novels such as 1967s National Book Award-winning Hopscotch. B&w photos.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.ReviewIdols invite respect, admiration, affection, and, of course, great envy. Cortazar inspired all of these feelings as very few writers can, but he inspired, above all, an emotion much rarer: devotion. He was, perhaps without trying, the Argentine who made the whole world love him. -Gabriel Garcia MarquezCortazar’s last book is unexpectedly his happiest and most playful, both linguistically and with the vicissitudes of life... Every page reveals that there is no end, because the end is to go farther, to cross all boundaries. Twenty years later Anne McLean restores the joy and liberty of the original to these autonauts. And it seems to me that Cortazar and Dunlop are still there, on their freeway, alive, happy forever inside a motionless time. -Tomas Eloy MartinezAnyone who doesn’t read Cortazar is doomed. Not to read him is a serious in
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